Rating: 12a Cast: Natalie Portman, Scarlett Johansson, Eric Bana, Jim Sturgess, Mark Rylance and Kristin Scott Thomas Directed by Justin Chadwick Written by Peter Morgan (screenplay) and Philippa Gregory (novel) Length: 115mins
In Justin Chadwick’s debut feature film, The Other Boleyn Girl, we jump back in time to a pivotal moment in English history and land in the midst of one of the most notorious monarchs, King Henry VIII. Straight off the bat it’s important to recognise that artistic licence is applied and that some of the Historical facts are debated, but it’s an opportunity to experience an interpretation of one of the Queen famous for her demise.
The plot follows the Boleyn siblings, primarily the two sisters Anne and Mary as they reach adulthood and have set sights set on potential husbands. Through a bit of family meddling and taking advantage of issues with the Kings marriage, the King meets both girls and while initially favouring Anne, becomes captivated with the ‘other Boleyn girl’, who is newly married. The Boleyn’s are summoned to court and thus begins the competition for the Kings attention. It’s not a particularly surprising storyline as Anne Boleyn’s fate is one of the memorable in Royal history, but it’s an interesting take to consider other members of the family.
From start to finish this film is full of incredible talent. In playing the quarrelsome siblings, Portman and Johansson conjure admirable performances, working as best they can with the dialogue and situations they’re afforded. Portman creates a scheming and flirtatious Anne while keeping the hot headed reactions of a young, inexperienced woman while Johansson leans more to a sweet, innocent sister. Choices that are reactionary to the dialogue, no doubt, and clearly separate the sisters, however there is a slight risk of the characters feeling a bit shallow. It’s easy to criticise these more obvious choices, but there is also plenty to defend. The film is long, the story and it’s characters are very famous and so you could certainly argue that in exploring the focal characters in more depth could mess up the through line of the story and therefore extend the film and throw it off balance. I personally think they made the right decisions within characterisation and the cast were perfect for what they needed.
Unfortunately, due to the sheer number of incredible actors, there isn’t time to truly analyse all of the performances, but the casting department did a phenomenal job and the outcome was brilliant.
Aesthetically, the film looks great; the grand settings, beautiful costumes and intricate detail within hair and make up really help transport the audience into a different time and allows the story to be told without a second thought.
This movie stirs me in an unusual way. It’s deeply sad to see a family torn apart and as we know the ending is all but happy. It’s an entertaining watch, and in reminding us of elements of History it’s helpful to see how society has progressed and possibly, how it hasn’t. I would recommend watching this film, but it’s not perfect and as with every Historical film it’s worth checking the facts.